HISTORY5 - Crazy Horse Forever
That Western National Parks tour, which I mentioned in my last article
on the history of Mount Rushmore, also stops at the Crazy Horse Memorial,
another place I have never been, so I wanted to learn about it too, before our visit
in September.
The Crazy Horse Memorial is a mountain
monument, started in 1948 and still under construction on private land in the
Black Hills of South Dakota, just over 16 driving miles from the Mount Rushmore
Memorial. The Oglala Lakota warrior, Crazy
Horse, is being depicted riding a horse and pointing into the distance, in a
gigantic 641 feet long x 563 feet high sculpture. The memorial was commission by Henry Standing
Bear, a Lakota elder, and designed and initially sculpted by Korczak Ziolkowski. The project is operated today by the Crazy
Horse Memorial Foundation.
The incomplete Crazy Horse Memorial sculpture as it appears today. Note the 1/34th scale model in the left foreground. |
Crazy Horse (1840-1877)
Crazy Horse was an Indian leader of the Oglala Lakota tribe of Sioux who fought against the encroachment of American settlers on Indian Territory. He participated in several battles against U.S. troops on the northern Great Plains, including the Battle of the Little Bighorn in 1877 (aka Custer’s Last Stand), leading a war party to victory, earning great respect from both his enemies and his own people. In September 1877, four months after surrendering to General George Crook, he was fatally wounded by a bayonet-wielding guard, while allegedly resisting imprisonment. He ranks among the most notable and iconic of Native American warriors and was honored by the U.S. Postal Service in 1982 with a 13-cent Great Americans series postage stamp.
A 1934 sketch of Crazy Horse made by a Mormon missionary after interviewing Crazy Horse's sister, who claimed that the dipiction was accurate. |
The Beginning
In the early 1930s, Oglala Lakota
brothers, Luther and Henry Standing Bear tried to interest sculptor Gutzon
Borglum, who was then working on the Mount Rushmore Monument, in carving an
image of Crazy Horse on Mount Rushmore along with the four U.S. presidents,
suggesting that “Crazy Horse is the real patriot of the Sioux tribe and the
only one worthy to place by the side of Washington and Lincoln.” Borglum ignored the brothers and subsequent
campaigning to push this idea failed.
So in 1939, Henry Standing Bear
wrote to Polish-American sculptor Korczak Ziolkowski about doing a separate
sculpture, informing Ziolkowski that “My fellow chiefs and I would like the
white man to know that the red man has great heroes, too.” Standing Bear also wrote to the U.S. Department
of the Interior, offering his own fertile 900 acres in exchange for the barren 6,532-foot
Thunderhead Mountain, near the town of Custer in their sacred Black Hills, for
the purpose of paying honor to Crazy Horse.
The government responded positively, and the National Forest Service,
responsible for the land, agreed to grant a permit for use of the land and an
okay to oversee the project. Standing Bear chose not to seek government funds,
with the idea of relying instead upon influential Americans interested in the
welfare of the American Indian to privately fund the project.
The Black Hills region of South Dakota. The Crazy Horse Memorial is 16 road miles southwest of Mount Rushmore. |
Sculptor Korczak Ziolkowski
Korczak Ziolkowski was born in Boston in 1908 to Polish parents, was
orphaned at the age of one, and grew up in series of foster homes. Without any formal art training, his gifts as
a sculptor began to show at an early age.
He first became a wood carver and accomplished furniture maker. After completing his first marble sculpture
in 1932, he moved to New Britain, Connecticut to begin life as a professional
artist. His sculpture of Ignacy Jan
Paderewski won first prize at the 1939 New York World’s Fair. Also, in 1939 he was hired as a sculptor’s
assistant by Gutzon Borglum on his Mount Rushmore Project. However, he was soon fired from that job
after getting into an argument about responsibilities with Gutzon’s son
Lincoln.
In the spring of 1940, Ziolkowski
met with Henry Standing Bear and other Lakota representatives and agreed to go
ahead with the Crazy Horse project. For
the next few years, Ziolkowski conducted research and began planning the
sculpture. But World War II intervened
and he had to put the project on hold when he volunteered for service in the
U.S. Army.
In 1947 Ziolkowski moved back to
the Black Hills and turned his full attention to the sculpture by inspecting
the granite mountain and building a 1/34th scale model for the
enormous undertaking. The monument was
expected to be the largest in the world - 64 stories tall and longer than two
football fields. Consider these
mind-boggling numbers: Crazy Horse’s
head will be large enough to contain all the 60-foot heads of the presidents at
Mount Rushmore. All four of the Mount
Rushmore presidents will fit under the Indian leader’s outstretched arm. The hand will be about 25 feet tall; the
extended left index finger will be nearly 29 ½-feet long. The horse’s head will be 219 feet tall with
each horse’s eye 20 feet wide and 15 feet high.
Sculptor Korczak Ziolkowski and Lakota Chief Henry Standing Bear stand in front of the Crazy Horse monument model with the as yet untouched Thunderhead Mountain in the background. Circe June 3 1948. |
Construction
On June 3, 1948 the first
dynamite blast was made and the memorial was dedicated to the Native American
people.
Progress on this ambitious
privately-financed project has been very slow.
For 34 years, until his death in 1972 at age 74 of acute pancreatitis,
Korczak Ziolkowski removed tons of granite off the mountain without shaping any
of the monuments key elements, e.g., the horse or Crazy Horse’s head, extended
arm, or hand. After his death, Korczak’s
wife Ruth took over the project and decided to focus on the completion of Crazy
Horse’s head first, instead of the horse as her husband had originally
planned. She believed that Crazy Horse’s
face, once completed, would increase the sculpture’s draw as a tourist
attraction, which would provide additional funding. Sixteen years later, in 1998 the face of
Crazy Horse was completed and dedicated.
Work continued at a steady, if slow, pace for another 16 years on the
horse and Crazy Horse’s extended arm and hand, until Ruth Ziolkowski’s death in
2014 at age 87 -without completing any of these other key elements of the
sculpture. Since Ruth’s death, the
project has continued under a multiple-person Ziolkowski family group, keeping
up the family tradition and dream, recently concentrating on crafting Crazy
Horse’s outstretched arm and hand, and the horse’s mane.
Carving Crazy Horses face - 1994. |
The complete Crazy Horse face - 1998. |
Aerial view of the Crazy Horse Sculpture today. |
Measuring and carving systems
have evolved steadily since the carving of Mount Rushmore (completed in 1941)
and during the construction of the Crazy Horse memorial. Korczak used a combination of his artistic
eye, tape measures, and an old theodolite (surveying instrument) to determine
the basic location of his planned sculpture within the mountain and to begin
the process of removing excess rock. In
1987, a 60-foot long measuring boom was fixed to the top of Crazy Horse’s head. A plumb bob suspended from that measuring
boom was used to transfer numbers from the pointing system on the 1/34th
scale model of Crazy Horse’s face. (Much
like the method used on Mount Rushmore.)
When work moved beyond the face
in 1998, a survey control system was developed, measuring very precise angles
and distances from known control points to calculate three-dimensional
coordinates for any point on the mountain.
It used an infrared beam reflected from a hand-held prism to measure
distances up to several thousand feet with accuracy to the nearest 1/1000th
of a foot.
Since 2000 laser scanning
equipment has been used to measure the entire mountain on several occasions,
allowing for measuring huge numbers of points very quickly and accurately to
build digital models in computers. These
digital models permit measurements and coordinates to be provided to the
carvers.
Drilling equipment has evolved
from Korczak’s use of single-jack (sledge hammer and steel) to drill holes for
dynamiting to hydraulic drills mounted on tracks or rubber tires. Dynamite blasts use detonating cord to
control the explosive energy and do less damage to the rock that is not removed
by the blast. Blast timing is now
controlled electronically with programmable detonators. Removing blasted rock
from the site is accomplished with dump trucks.
Finishing is accomplished by drilling to isolate small blocks of rock; a
jet torch, running on diesel and compressed air, removes drill marks and smooths
the final surface. The last step is to
seal the natural seams in the granite so that water cannot infiltrate and cause
damage during freeze/thaw cycles.
Crazy Horse Memorial
Foundation
Even though the Crazy Horse
Memorial is unfinished, the enterprise has grown into a multi-million dollar
per year tourist operation, with more than a million visitors per year. Early fund-raising efforts included charging
fees for visitors who wanted to view the sculpting progress and encouraging
donations to the project.
Today, the slowly progressing
sculpting project is supported by the Crazy Horse Memorial Foundation, a
non-profit organization whose mission is to protect and preserve the culture,
tradition and living heritage of the North American Indians. The Foundation started national fund-raising
efforts in 2006 and has raised millions of dollars to continue the progress on
the sculpture, provide educational and cultural opportunities for Indians, and
act as repository for Native American arts and crafts. The Crazy Horse Memorial visitor complex now
boasts a cultural center, museum, restaurant, conference center, and gift shop. Millions of dollars have been contributed to
Indian education scholarships to South Dakota schools, and future plans include
an on-site Indian University of North America.
The extensive visitor center is about three quarters of a mile from the Crazy Horse sculpture. |
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